{"id":651,"date":"2018-10-10T16:03:00","date_gmt":"2018-10-10T16:03:00","guid":{"rendered":"https:\/\/timtheater.lemon.be\/?p=651"},"modified":"2019-10-10T16:25:34","modified_gmt":"2019-10-10T16:25:34","slug":"patterns-and-how-even-improv-players-continue-to-dabble-in-them","status":"publish","type":"post","link":"https:\/\/www.timtheater.be\/en\/geen-categorie\/patronen-en-hoe-ook-improvisatiespelers-erin-blijven-sukkelen\/","title":{"rendered":"Patterns and how even improv players continue to dabble in them"},"content":{"rendered":"<p>Improvisers know the art of recognizing patterns, and breaking them. Sometimes that happens slowly. For example, we caught ourselves some time ago that invariably opting for a \"healthy gender mix\" had become nothing more than a pattern with us. We always played on a mixed team as far as gender was concerned. If not, it was because no man (or in rarer cases with us, woman) was available that date.<br><\/p>\n\n\n\n<p>While that is actually not \u00e0 always relevant or important. Or that it can just be strong to play with only men or only women.<br><\/p>\n\n\n\n<p>So we let go of that pattern. And so it can happen that we play in two parallel teams, a men's team and a women's team.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img fetchpriority=\"high\" decoding=\"async\" src=\"http:\/\/www.inspinazienue.be\/wp-content\/uploads\/2016\/10\/meisje-1-300x228.png\" alt=\"\" width=\"300\" height=\"228\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/www.inspinazienue.be\/wp-content\/uploads\/2016\/10\/jongen-1-300x224.png\" alt=\"\" \/><\/figure>","protected":false},"excerpt":{"rendered":"<p>Improvisatiespelers kennen de kunst van patronen herkennen, en doorbreken. Soms gaat dat traag. Zo betrapten we onszelf er een tijd geleden op dat steevast kiezen voor een &#8220;gezonde gendermix&#8221; niet meer dan een patroon was geworden bij ons. We speelden altijd in een gemengd team wat gender betreft. Als dat niet het geval was, was [&hellip;]<\/p>\n","protected":false},"author":14,"featured_media":652,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","iawp_total_views":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-651","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-geen-categorie"],"publishpress_future_action":{"enabled":false,"date":"2026-04-22 00:11:08","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.timtheater.be\/en\/wp-json\/wp\/v2\/posts\/651","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.timtheater.be\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.timtheater.be\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.timtheater.be\/en\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/www.timtheater.be\/en\/wp-json\/wp\/v2\/comments?post=651"}],"version-history":[{"count":1,"href":"https:\/\/www.timtheater.be\/en\/wp-json\/wp\/v2\/posts\/651\/revisions"}],"predecessor-version":[{"id":653,"href":"https:\/\/www.timtheater.be\/en\/wp-json\/wp\/v2\/posts\/651\/revisions\/653"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.timtheater.be\/en\/wp-json\/wp\/v2\/media\/652"}],"wp:attachment":[{"href":"https:\/\/www.timtheater.be\/en\/wp-json\/wp\/v2\/media?parent=651"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.timtheater.be\/en\/wp-json\/wp\/v2\/categories?post=651"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.timtheater.be\/en\/wp-json\/wp\/v2\/tags?post=651"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}